mark-gaytits:

Some resources for those writing medieval-type stories:

• list of medieval jobs
• more medieval jobs
• lords of the manor
• ladies of the manor
• medieval ladies
• medieval weapons
• medieval names
• more medieval names
• guide to medieval terms
• more medieval terms
• how to write sword-fight scenes
• armor

ibelievepracticemakesperfect:

Little Art Reference things: Comprehensive Resource List for the Aspiring Artist V1.01

kastiakbc:

sixmilliondeadinternets:

A.K.A. “Pato is autistic and shows off his massive collection of saved links”

Have a seat, get a cup of coffee and sit through this. Hopefully you won’t regret it. This is mostly about illustration, by the way.

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FREQUENTLY ASKED BULLSHIT

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• “WHICH TABLET SHOULD I BUY?”

Get the cheapest shit available. If you’re in America/Europe a Wacom Bamboowhatever apparently does the trick. If you’re anywhere else get the cheaper-end Genius ones because Wacom tablets are expensive in every place that’s not the first world. Getting a $600 tablet will not make you magically improve and it’s a goddamn waste of money. Too poor for tablets? Start with a damn pencil.

• “POORFAG HERE, CAN’T AFFORD PHOTOSHOP/SAI, WHAT THE FUCK DO I DO?”

This is the Internet, pirate the shit out of them! Here’s a list of freeware programs you could use, because pirating is bad, mkay.

For general illustration:

• GIMP - Non-shitty, open-source Photoshop Clone.
• Paint.NET - If you are somehow too dumb for Photoshop clones here’s something easy to use.
• Flowpaint - Even simpler.
• Inkscape - Apparently good for things like vector art.
• Artweaver - Get the free version which kind of sucks but otherwise decent.
• Chibipaint - Sounds weeaboo as fuck The best thing out there for oekaki, or so they say.
• Will add more as I find them.

For 3D modelling and such:

• Sculptris - 3D sculpting for dummies

More links coming SOON! (Soon: Duke Nukem Forever).

• “I’M TOO MUCH OF A FAILURE I WILL NEVER IMPROVE”

Spoilers: Improvement will take a long time, specially more if you’re self-taught. Improvement requires dedication and consistenct in your learning. Don’t expect to get great if you’ve just started, and don’t expect greatness in the first year or so either. Save the shit you draw so in the future you can notice that progress has indeed been made.

If you still think you’ll never improve just look at this and realize how wrong you are. Now, if you think you’ll instantly be as cool as that guy, look at this and realize that you still have a long way to go.

• “I HAVE ARTIST’S BLOCK WHAT DO”

Artist’s Block is a very complicated thing but the underlying reason is either lack of creativity, acedia or just a towering pile of bullshit. The best way to treat it is to take up theoretical drawing (anatomy studies, for example) and treat it as a chore. If you need ideas look for the Ideas Generators section below.

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NOW, ONTO THE ACTUAL LIST THING.

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All links taken without permission but I’m sure nobody minds a bit of publicity.

BOOKS

• /ic/’s Recopilation - A 4.2GB books torrent. FUCKING GET IT. (The torrent description also has a list for more books, check those out too)
• Another comprehensive torrent - This one is over 5GB. It’s literally considered the Holy Grail and you should also get this if you can.
• Conceptart’s Recopilation - More art books.
• Why can’t I, hold all these books? - ~75 more books yo.
• LOOMIS LOOMIS LOOMIS LOOMIS
• The New Drawing on The Right Side of the Brain - A must have in artsyfartsyfaggy circles. It’s also in the torrents.
• Burne Hogarth’s Dynamic Anatomy - Pretty sure it’s in the torrents but I know somebody will ask for it separately.
• Eliot Goldfinger’s Human Anatomy For Artists - Another well-known book about anatomy.
• MORE BOOKS JESUS CHRIST WHERE ARE THEY COMING FROM 
• OKAY THESE ARE THE LAST BOOKS I’LL LINK I SWEAR

This is actually more than enough to get you started when it comes to getting books. Saying that the amount of books here is FUCKING MASSIVE would be an understatement.

A PRACTICAL APPROACH TO GESTURE DRAWING

• The Drawing Script - Selects from a database random images of animals, people, scenery, faces, etc.
• Figure & Gesture Drawing Tool - Read above.
• Posemaniacs - Poses IN ASTONISHING 3D MOFOS. Apparently criticized for not showing correct muscle movement, but otherwise okay for static stuff.
• Keep this in mind while gesture drawing.

Simple practice method for the aimless artfag: Open any of the first two links, and choose a distinct category (For example, faces). Tell it to switch every 10 minutes if possible; else, get a timer. Fire it up and start drawing what you see. The idea is that you should stop after 10 minutes and move onto the next one, no matter how incomplete it is. Repeat until your art gets showcased in the Louvre.

COLOR THEORY AND MISCELLANEOUS COLORING FOR THE MASSES

• Mandatory Conceptart.com link about Color Theory - These guys are so awesome I can’t even begin to explain.
• The Dimensions of Colour - Light, shade, and COLORS explained in a non-horrible yet convoluted way.
• Light and Color by Itchy Animation - Perhaps not as convoluted as the one above. Still decent.
• How I see color - Not mine, obviously. A quite lengthy dA tutorial in Flash.
• Example dA way on coloring - Needs some knowledge about Photoshop.
• Coloring Tutorial@dA - Read above, this one is much more comprehensive and pretty.
• Color is Value - Handy as a tips reference, not much else really.
• Celshading for weeaboos by weeaboos - COMIC SAAAAAAAANS
• And yet another Coloring Tutorial! 
• Color Scheme picker - If you’re too dumb to pick colors this does the job.

ANATOMY AND GENERAL HUMAN BODY STUFF

• Drawing the Head - Ron Lemen at (obviously!) Conceptart.com.
• HANDS HANDS HANDS at Posemaniac - FUCKING HANDS HOW DO THEY WORK
• Dragon Paint Art Tutorials: Human Body - A quick, yet extremely incomplete nosedive into drawing the body.
• The Big Guide into Drawing the Body - A technical kick in the balls, yet comprehensive enough.
• Basic pose and construction in Figure Drawing - Conceptualizes the shape of the body from stickfigures to 3D shapes and then holy dongs it’s a human body.
• Kitten-chan’s Body Tutorial - Don’t let the name fool you.
• Understanding Anatomy - The “Anatomy for Dummies” of deviantArt. Must see.
• I’ve got to Hand it to you - Great hand tutorial based on the concept of drawing organic figures out of 3D shapes.
• Muscles!
• How do I drawed hair lol - Hardly complete or good, but decent as a quick guide.

PERSPECTIVE

• Why can’t I hold all these Conceptart.com threads - Great to test waters in the wonders of perspective.
• Perspective and Composition - dA tutorials, dA tutorials errywhere.
• Perspective by Sashas - THE TUTORIALS WILL NEVER STOP THE TUTORIALS WILL NEVER STOP

GENERAL REFERENCES

• /hr/@4chan - High resolution images. We’re all grownups here, so you shouldn’t worry about tits.
  
• Photo Reference for Comic Artists - Self-explanatory.
• Senshistock@dA - A deviantArt account just for the sake of uploading references for the glorious proletariat.
• Tasastock@dA - Pretty much the same as above.
• Metlys@dA - Ditto.
• Tursiart@dA - Ditto, more oriented at medieval stuff.
• /ic/’s reference collection - Recopilaception.
• Artsyposes - POSES POSES POSES
• Lackadaisy’s Expressions - Cats or no cats, this is extremely handy.
• Lockstock@dA - Nude references and shit.
• Nude pics errwhere

LOOSE BUNCH OF VARIOUS CRAP

• /ic/ Thread 1 - Collection of tutorial images.
• /ic/ Thread 2 - Humongous thread with a crapload of links. A must-see.
• Manga to Realistic (dA) - A Twelve-Part walkthrough that dips your toes into realistic illustrations aimed at people with a weeaboo background.

GENERAL ART WEBSITES AND TUTORIALS

• /ic/’s Resource Site - To be honest most of the stuff in here was taken from this place, but there’s also a pile full of more useful things there so check it out too.
• Iconnucrit’s Resources - Down at the time of this writing, but decent from what I remember.
• How to Draw 123 - Too much information doesn’t hurt I guess.
• Oh Conceptart you card - So many tutorials!
• Improvement Center @ dA - Gallery of things that will help you… well, improve.
• Tutorial House @ dA - Read above.
• Stanislav Prokopenko’s Tutorials - Guy’s an instructor or something. 

ILLUSTRATION TECHNIQUES

• The Penciling Tutorial - A quite famous tutorial on “how do I penciled lol”
• Lineart by Sashas - This guy is bloody famous or something.
• How to Speedpaint - I don’t quite agree with this but it seems to work for others.

TEXTURES, BRUSHES AND ALL THAT JAZZ

• CG Textures - Massive collection of free textures. Also tutorials.

IDEA GENERATORS

• /r/sketchdaily@Reddit - A new idea to draw everyday.
• Just go here and pick one of the links.

ART COMMUNITIES

• Conceptart.com - These guys are fucking sweet.
• DeviantArt - Well, think about it. It is an art community after all.

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If you want me to add something, please notify me through my /ask. Be sure to check back often as I’ll be adding more things.

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(Source: sixmilliondeadinternets)

thatcerealkiller:

superblys:

jamessblond:

As someone who writes fics with action sequences and the use of guns, I thought maybe it would be helpful to pass some things on. Even though I’ve done lots of research and talked with family members (I live in WI which is a big hunting state and we have lots of guns), I still catch myself making mistakes with specific terms and their usage. Reading more James Bond fics lately, I catch others making mistakes also. So here is a little guide to help writers. 

• A ‘clip’ is something that stores multiple rounds of ammunition. It is not what you would insert into a handgun to load it. Clips make loading into a magazine easier because they simply store the rounds. It helps with organization. 

• A magazine is what feeds the ammunition into the barrel. Magazines vary in capacity. They, unlike clips, are spring-loaded, which helps the ammunition move in the gun. So, when you want a character to reload, they would use a pre-loaded magazine, NOT a clip. 

• A silencer is really a suppressor. ‘Silencer’ is a word that’s used in media to refer to a suppressor that doesn’t exist in real life. Guns that are suppressed will still be loud and have a sound. This is because compressed air will still leak out of the end of the barrel, you can’t silence a bullet moving extremely fast through the air, and you can’t silence the mechanical parts on a gun. There will be a noise, but it just won’t be as loud or more importantly, alert people in a nearby area that a gun was just fired. SO suppressor is a much more accurate term technically speaking. 

• There are different kinds of suppressors. One important kind suppresses the muzzle flash. It’s likely a sniper would use this more than they would want to use a sound suppressor, as the muzzle flash more easily enables you to be spotted when you don’t want to be. These are simply referred to as flash suppressors. 

• After a handgun runs out of ammunition, the slide will lock back into place and you will know that it is out. There is no ‘click’ signifying an empty weapon that is so dramatized in movies and tv. A more likely scenario that would prevent a gun from firing would be a jam. Or programming the gun to recognize certain palm prints. 

• A great place for writers, in particular fanfic writers, who want information on guns is imfdb. You can find out what guns are used in movies and shows, and what guns characters use. You can also just search for guns. 

• If you want to get really specific, check out YouTube. There are users who will post reviews of guns on there, which can be really helpful if you want to see how a particular gun looks or how to shoot it. 

So yeah! Here are just a few basic tips if you want to write a fic where a character uses guns. 

I see you’ve got terminology down, now let’s go for a little technicality. 

• Firstly, let me explain the “kick” of a gun. A “kick” is the feeling of the round leaving the barrel of the gun.  Every gun has one, the impact of the “kick” depends on the caliber, make and type of gun.
• Another way to describe a kick is the feeling of the gun exploding in your hand.  Of course, the gun doesn’t literally explode, but it is a great burst of power that only lasts a second.
• For example: A .45 mm hand gun with have a bigger “kick” than a .22 mm hand gun.  If someone is a first time shooter and does not know what to expect, they would most likely drop the gun after firing it once due to the shock of the force being released in their hands.
• Sniper Rifles are incredibly accurate and mainly used for long distance hits.  They are also ridiculously heavy, as most rifles are, therefore, be prepared for a gigantic “kick”.
• Sniper Rifles are special because they are so powerful (they need to be in order to have the same impact a .45mm would 10 feet away compared to the shell half a mile away), thus a stand is required to use it.
• No matter what you will always need a firm holding to place the rifle (besides your grip) in order to prevent the gun from falling over after it is discharged and injury to your person. There are ridiculously powerful guns.
• General rule of thumb is that you place the butt of the rifle next to your shoulder, just below your clavicle.  I’m not very good at describing this position, so I suggest looking it up.  DO NOT place it anywhere in the armpit area, dislocation is likely to occur.  Depending on how prepare you are and the type of rifle being used (excluding snipers), bruising might occur.
• You will be standing if you use a normal rifle, so make sure you are steady and prepared for the “kick” that follows after.
• If you are using a sniper rifle, you will be on the ground or leaning against something.  Some people have special rests for their snipers specifically to fire the gun from any spot.  Point is: do not stand alone while firing this.  You will get hurt.

Other helpful tips:

• Earplugs or Ear Protectors are your friends.
• Safety glasses are also your friend to avoid shells from flying into your face.
• Keep the safety on until you are ready to fire the gun.
• If you are NOT currently firing the gun, whether it is loaded or unloaded, and it is in your hand, ALWAYS hold it with two hands and point it at the ground at your feet. DO NOT get distracted.
• NEVER joke around with someone by pointing the gun at them.  EVEN IF YOU ARE ABSOLUTELY POSITIVE THAT THE GUN IS TOTALLY UNLOADED, MAGAZINE OUT OF PLACE, DO NOT RISK IT.  It is not funny.  Even if the gun is on safety, do NOT do it.  You could accidently switch off the safety or the gun could misfire despite the safety.
• Lastly TWO HANDS.  One on the side near the trigger and the other underneath.  This is not the movies, do not attempt to fire a gun with one hand.  Not only will your aim be incredibly off if you are inexperienced but you will also endanger yourself as well as others if you lose control of it.
• Guns can be scary and if you ever feel nervous or uncomfortable about firing one, do not do it. 

Adding to the “when you’re not shooting” section…almost anyone seriously trained in guns is taught to keep your finger off the trigger whenever you’re not shooting. It’s off the trigger and against the trigger guard. You’ll see a mix of strict to poor trigger discipline in the movies.

Doing it right:

Doing it wrong:

(Source: jimkirksass)

writeworld:

Admin Note: This post is a rebloggable copy of our page on fight scenes. The page is being phased out, so from now on all updates will be made on this post and not on the page. 

Among the typically difficult scenes writers face in their stories, the fight scene definitely ranks high on the list. Below you will find several resources with tips for writing a good fight scene.

• Action with a Side of Zombies: One of our articles focused specifically on writing action scenes. Bonus:  the examples all include zombies.
• ArchetypesAndAllusions: An article on the three main types of fighters and their various approaches to kickin’ ass (or not).
• TheCreativePenn.com: Alan Baxter, speculative fiction author, gives some great advice on characterization, setting, martial style, and cliches. 
• StoryHack.com: A PDF that takes you through writing a fight scene step by step by Randy Ingermanson, compiled by Bryce Beattie.
• MarilynnByerly.com: An extremely good guide to writing fight scenes. This guide includes tips on character viewpoint, mapping the fight, and tricks for writing each type of fight. 
• Shelfari.com: This site is an interview with famed fantasy author R.A. Salvatore on how to write great fight scenes.
• TheBusinessOfWriting: C. Patrick Schulze gives some good, solid advice on identifying and writing your fight scene.
• EzineArticles.com: Marq McAlister explains how to make a fight scene pack some serious punch. This article is good for fine-tuning.
• Martin Turner: Focusing specifically on sword-fighting scenes, Martin Turner writes in great detail on every conceivable detail of this type of time-honored fight scene. 
• SeriousPixie.com: Susan tells you about the three types of fight scene writers and explains how to fix the problems that arise for each type.
• David Alan Lucus: This multi-part guide gives advice in exhaustive detail on how to write an awesome fight scene.
• NightFoot: This Tumblr post offers some great tips for writing fight scenes.

These links provide advice specifically for writing battle scenes:

• Gerri Blanc: eHow’s article on battle scenes is a basic step-by-step list for you. It’s a good introduction to writing battle scenes.
• StormTheCastle.com: This article takes you through an in-depth guide on how to write battle scenes for fantasy stories.
• Rhonda Leigh Jones: Jones lists some dos and don’ts of writing battle scenes.

Other resources:

• List of Martial Arts: Looking for a fighting style? Find it here!
• List of Weapons: Every type of weapon you can think of is listed here.
• List of Military Tactics: From troop movements to siege warfare, this list has got you covered.
• Asylum.com: A few examples of awesome battle tactics from history.
• BadassOfTheWeek.com: Get some inspiration for awesome fight scenes and fighting characters from this compendium of badassitude.
• Thearmedgentleman: Austin has offered to share his knowledge on weaponry with any writers who have questions. Thanks, Austin! 

We hope this helps! If you have another link or a tip for how to write fight/battle scenes, hit up our ask box and let us know!

ibelievepracticemakesperfect:

life is short, art is long: 123 Ideas for Character Flaws amandaonwriting: Character…

123 Ideas for Character Flaws

amandaonwriting:

Character Flaws

1. Absent-minded - Preoccupied to the extent of being unaware of one’s immediate surroundings. Abstracted, daydreaming, inattentive, oblivious, forgetful.
2. Abusive - Characterized by improper infliction of physical or psychological maltreatment towards another.
3. Addict - One who is addicted to a compulsive activity. Examples: gambling, drugs, sex.
4. Aimless - Devoid of direction or purpose.
5. Alcoholic - A person who drinks alcoholic substances habitually and to excess.
6. Anxious - Full of mental distress or uneasiness because of fear of danger or misfortune; greatly worried; solicitous.
7. Arrogant - Having or displaying a sense of overbearing self-worth or self-importance. Inclined to social exclusiveness and who rebuff the advances of people considered inferior. Snobbish.
8. Audacious - Recklessly bold in defiance of convention, propriety, law, or the like; insolent; braze, disobedient.
9. Bad Habit - A revolting personal habit. Examples: picks nose, spits tobacco, drools, bad body odour.
10. Bigmouth - A loud-mouthed or gossipy person.
11. Bigot - One who is strongly partial to one’s own group, religion, race, or politics and is intolerant of those who differ.
12. Blunt - Characterized by directness in manner or speech; without subtlety or evasion. Frank, callous, insensitive, brusque.
13. Bold - In a bad sense, too forward; taking undue liberties; over assuming or confident; lacking proper modesty or restraint; rude; impudent. Abrupt, brazen, cheeky, brassy, audacious.
14. Callous - They are hardened to emotions, rarely showing any form of it in expression. Unfeeling. Cold.
15. Childish - Marked by or indicating a lack of maturity; puerile.
16. Complex - An exaggerated or obsessive concern or fear. (List specific complex.)
17. Cruel - Mean to anyone or anything, without care or regard to consequences and feelings.
18. Cursed - A person who has befallen a prayer for evil or misfortune, placed under a spell, or borne into an evil circumstance, and suffers for it. Damned.
19. Dependent - Unable to exist, sustain oneself, or act appropriately or normally without the assistance or direction of another.
20. Deranged - Mentally decayed. Insane. Crazy. Mad. Psychotic.
21. Dishonest – Given to or using fraud, cheating; deceitful, deceptive, crooked, underhanded.
22. Disloyal - Lacking loyalty. Unfaithful, perfidious, traitorous, treasonable
23. Disorder - An ailment that affects the function of mind or body. (List the disorders name if they have one.) See the Mental Disorder List.
24. Disturbed - Showing some or a few signs or symptoms of mental or emotional illness. Confused, disordered, neurotic, troubled.
25. Dubious - Fraught with uncertainty or doubt. Undecided, doubtful, unsure.
26. Dyslexic - Affected by dyslexia, a learning disorder marked by impairment of the ability to recognize and comprehend written words.
27. Egotistical - Characteristic of those having an inflated idea of their own importance. Boastful, pompous.
28. Envious - Showing extreme cupidity; painfully desirous of another’s advantages; covetous, jealous.
29. Erratic - Deviating from the customary course in conduct or opinion; eccentric: erratic behaviour. Eccentric, bizarre, outlandish, strange.
30. Fanatical - Fanatic outlook or behaviour especially as exhibited by excessive enthusiasm, unreasoning zeal, or wild and extravagant notions on some subject.
31. Fickle – Erratic, changeable, unstable - especially with regard to affections or attachments; capricious.
32. Fierce - Marked by extreme intensity of emotions or convictions; inclined to react violently; fervid.
33. Finicky - Excessively particular or fastidious; difficult to please; fussy. Too much concerned with detail. Meticulous, fastidious, choosy, critical, picky, prissy, pernickety.
34. Fixated - In psychoanalytic theory, a strong attachment to a person or thing, especially such an attachment formed in childhood or infancy and manifested in immature or neurotic behaviour that persists throughout life. Fetish, quirk, obsession, infatuation.
35. Flirt -To make playfully romantic or sexual overtures; behaviour intended to arouse sexual interest. Minx. Tease.
36. Gluttonous - Given to excess in consumption of especially food or drink. Voracious, ravenous, wolfish, piggish, insatiable.
37. Gruff - Brusque or stern in manner or appearance. Crusty, rough, surly.
38. Gullible - Will believe any information given, regardless of how valid or truthful it is, easily deceived or duped.
39. Hard - A person who is difficult to deal with, manage, control, overcome, or understand. Hard emotions, hard hearted.
40. Hedonistic - Pursuit of or devotion to pleasure, especially to the pleasures of the senses.
41. Hoity-toity- Given to flights of fancy; capricious; frivolous. Prone to giddy behaviour, flighty.
42. Humourless - The inability to find humour in things, and most certainly in themselves.
43. Hypocritical - One who is always contradicting their own beliefs, actions or sayings. A person who professes beliefs and opinions for others that he does not hold. Being a hypocrite.
44. Idealist - One whose conduct is influenced by ideals that often conflict with practical considerations. One who is unrealistic and impractical, guided more by ideals than by practical considerations.
45. Idiotic - Marked by a lack of intelligence or care; foolish or careless.
46. Ignorant - Lacking knowledge or information as to a particular subject or fact. Showing or arising from a lack of education or knowledge.
47. Illiterate - Unable to read and write.
48. Immature - Emotionally undeveloped; juvenile; childish.
49. Impatient - Unable to wait patiently or tolerate delay; restless. Unable to endure irritation or opposition; intolerant.
50. Impious - Lacking piety and reverence for a god/gods and their followers.
51. Impish - Naughtily or annoyingly playful.
52. Incompetent - Unable to execute tasks, no matter how the size or difficulty.
53. Indecisive - Characterized by lack of decision and firmness, especially under pressure.
54. Indifferent - The trait of lacking enthusiasm for or interest in things generally, remaining calm and seeming not to care; a casual lack of concern. Having or showing little or no interest in anything; languid; spiritless.
55. Infamy - Having an extremely bad reputation, public reproach, or strong condemnation as the result of a shameful, criminal, or outrageous act that affects how others view them.
56. Intolerant - Unwilling to tolerate difference of opinion and narrow-minded about cherished opinions.
57. Judgemental - Inclined to make and form judgements, especially moral or personal ones, based on one’s own opinions or impressions towards others/practices/groups/religions based on appearance, reputation, occupation, etc.
58. Klutz - Clumsy. Blunderer.
59. Lazy - Resistant to work or exertion; disposed to idleness.
60. Lewd - Inclined to, characterized by, or inciting to lust or lechery; lascivious. Obscene or indecent, as language or songs; salacious.
61. Liar - Compulsively and purposefully tells false truths more often than not. A person who has lied or who lies repeatedly.
62. Lustful - Driven by lust; preoccupied with or exhibiting lustful desires.
63. Masochist - The deriving of sexual gratification, or the tendency to derive sexual gratification, from being physically or emotionally abused. A willingness or tendency to subject oneself to unpleasant or trying experiences.
64. Meddlesome - Intrusive in a meddling or offensive manner, given to meddling; interfering.
65. Meek - Evidencing little spirit or courage; overly submissive or compliant; humble in spirit or manner; suggesting retiring mildness or even cowed submissiveness.
66. Megalomaniac - A psycho pathological condition characterized by delusional fantasies of wealth, power, or omnipotence.
67. Naïve - Lacking worldly experience and understanding, simple and guileless; showing or characterized by a lack of sophistication and critical judgement.
68. Nervous - Easily agitated or distressed; high-strung or jumpy.
69. Non-violent - Abstaining from the use of violence.
70. Nosey - Given to prying into the affairs of others; snoopy. Offensively curious or inquisitive.
71. Obsessive - An unhealthy and compulsive preoccupation with something or someone.
72. Oppressor - A person of authority who subjects others to undue pressures, to keep down by severe and unjust use of force or authority.
73. Overambitious - Having a strong excessive desire for success or achievement.
74. Overconfident - Excessively confident; presumptuous.
75. Overemotional - Excessively or abnormally emotional. Sensitive about themselves and others, more so than the average person.
76. Overprotective - To protect too much; coddle.
77. Overzealous - Marked by excessive enthusiasm for and intense devotion to a cause or idea.
78. Pacifist - Opposition to war or violence as a means of resolving disputes. (Can double as a merit in certain cases)
79. Paranoid - Exhibiting or characterized by extreme and irrational fear or distrust of others.
80. Peevish - Expressing fretfulness and discontent, or unjustifiable dissatisfaction. Cantankerous, cross, ill-tempered, testy, captious, discontented, crotchety, cranky, ornery.
81. Perfectionist - A propensity for being displeased with anything that is not perfect or does not meet extremely high standards.
82. Pessimist - A tendency to stress the negative or unfavourable or to take the gloomiest possible view.
83. Pest - One that pesters or annoys, with or without realizing it. Nuisance. Annoying. Nag.
84. Phobic – They have a severe form of fear when it comes to this one thing. Examples: Dark, Spiders, Cats
85. Practical - Level-headed, efficient, and unspeculative. No-nonsense.
86. Predictable - Easily seen through and assessable, where almost anyone can predict reactions and actions of said person by having met or known them even for a short time.
87. Proud - Filled with or showing excessive self-esteem and will often shirk help from others for the sake of pride.
88. Rebellious - Defying or resisting some established authority, government, or tradition; insubordinate; inclined to rebel.
89. Reckless - Heedless. Headstrong. Foolhardy. Unthinking boldness, wild carelessness and disregard for consequences.
90. Remorseless - Without remorse; merciless; pitiless; relentless.
91. Rigorous - Rigidly accurate; allowing no deviation from a standard; demanding strict attention to rules and procedures.
92. Sadist - The deriving of sexual gratification or the tendency to derive sexual gratification from inflicting pain or emotional abuse on others. Deriving of pleasure, or the tendency to derive pleasure, from cruelty.
93. Sadomasochist - Both sadist and masochist combined.
94. Sarcastic - A subtle form of mockery in which an intended meaning is conveyed obliquely.
95. Sceptic - One who instinctively or habitually doubts, questions, or disagrees with assertions or generally accepted conclusions.
96. Seducer - To lead others astray, as from duty, rectitude, or the like; corrupt. To attempt to lead or draw someone away, as from principles, faith, or allegiance.
97. Selfish - Concerned chiefly or only with oneself.
98. Self-Martyr - One who purposely makes a great show of suffering in order to arouse sympathy from others, as a form of manipulation, and always for a selfish cause or reason.
99. Self-righteous - Piously sure of one’s own righteousness; moralistic. Exhibiting pious self-assurance. Holier-than-thou, sanctimonious.
100. Senile - Showing a decline or deterioration of physical strength or mental functioning, esp. short-term memory and alertness, as a result of old age or disease.
101. Shallow - Lacking depth of intellect or knowledge; concerned only with what is obvious.
102. Smart Ass - Thinks they know it all, and in some ways they may, but they can be greatly annoying and difficult to deal with at times, especially in arguments.
103. Soft-hearted - Having softness or tenderness of heart that can lead them into trouble; susceptible of pity or other kindly affection. They cannot resist helping someone they see in trouble, suffering or in need, and often don’t think of the repercussions or situation before doing so.
104. Solemn - Deeply earnest, serious, and sober.
105. Spineless - Lacking courage. Cowardly, wimp, lily-livered, gutless.
106. Spiteful - Showing malicious ill will and a desire to hurt; motivated by spite; vindictive person who will look for occasions for resentment. Vengeful.
107. Spoiled - Treated with excessive indulgence and pampering from earliest childhood, and has no notion of hard work, self-care or money management; coddled, pampered. Having the character or disposition harmed by pampering or over-solicitous attention.
108. Squeamish - Excessively fastidious and easily disgusted.
109. Stubborn - Unreasonably, often perversely unyielding; bull-headed. Firmly resolved or determined; resolute.
110. Superstitious - An irrational belief arising from ignorance or fear from an irrational belief that an object, action, or circumstance not logically related to a course of events influences its outcome.
111. Tactless - Lacking or showing a lack of what is fitting and considerate in dealing with others.
112. Temperamental - Moody, irritable, or sensitive. Excitable, volatile, emotional.
113. Theatrical - Having a flair for over dramatizing situations, doing things in a ‘big way’ and love to be ‘centre stage’.
114. Timid -Tends to be shy and/or quiet, shrinking away from offering opinions or from strangers and newcomers, fearing confrontations and violence.
115. Tongue-tied - Speechless or confused in expression, as from shyness, embarrassment, or astonishment.
116. Troublemaker - Someone who deliberately stirs up trouble, intentionally or unintentionally.
117. Unlucky - Marked by or causing misfortune; ill-fated. Destined for misfortune; doomed.
118. Unpredictable - Difficult to foretell or foresee, their actions are so chaotic it’s impossible to know what they are going to do next.
119. Untrustworthy - Not worthy of trust or belief. Backstabber.
120. Vain - Holding or characterized by an unduly high opinion of their physical appearance. Lovers of themselves. Conceited, egotistic, narcissistic.
121. Weak-willed - Lacking willpower, strength of will to carry out one’s decisions, wishes, or plans. Easily swayed.
122. Withdrawn - Not friendly or Sociable. Aloof.
123. Zealous - A fanatic.

From The Character Therapist

kaiami:

Hey ya’ll! I’m not much of a tutorial person, but this was a technique that I learned from Syuzuki, one of my favorite artists back in the day, when I was 13. I memorized the technique and it’s been one of the most useful things I can do on photoshop. This was something that really helped me, and I hope that it will be useful for even some of you.

In this tutorial, I will be going step by step how I take something from my sketchbook and color it on photoshop.